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The Last Airbender Review Y Ruler of Time

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American blithe television set series

Avatar: The Last Airbender
Avatar The Last Airbender logo.svg
Also known as Avatar: The Legend of Aang [one]
Genre
  • Action-run a risk
  • Fantasy
  • Comedy drama
Created past
  • Michael Dante DiMartino
  • Bryan Konietzko
Voices of
  • Zach Tyler Eisen
  • Mae Whitman
  • Jack DeSena
  • Dante Basco
  • Jessie Flower
  • Dee Bradley Baker
  • Mako
  • Greg Baldwin
  • Grey DeLisle
  • Mark Hamill
Composers
  • Jeremy Zuckerman
  • Benjamin Wynn
Country of origin United States
Original language English
No. of seasons 3
No. of episodes 61 (list of episodes)
Production
Executive producers
  • Michael Dante DiMartino
  • Bryan Konietzko
  • Aaron Ehasz (co-executive producer)
Animators JM Animation (32 episodes)[a]
DR Movie (19 episodes)[b]
Moi Animation (ten episodes)[c]
Running time 23 minutes
Production company Nickelodeon Animation Studios
Distributor MTV Networks
Release
Original network Nickelodeon
Flick format NTSC
Original release Feb 21, 2005 (2005-02-21) –
July nineteen, 2008 (2008-07-xix)
Chronology
Followed past
  • Avatar: The Last Airbender (comics)
  • The Legend of Korra

Avatar: The Last Airbender (abbreviated equally ATLA [2]), also known as Avatar: The Fable of Aang in some regions, is an American animated television series produced past Nickelodeon Animation Studios. It was co-created past Michael Dante DiMartino and Bryan Konietzko, with Aaron Ehasz serving equally caput author. It aired on Nickelodeon for three seasons, from February 2005 to July 2008.[3]

Avatar is set in an Asiatic-inspired world in which certain people can telekinetically manipulate i of the iv classical elements—h2o, globe, fire, or air—through practices known every bit "bending", inspired by Chinese martial arts. The only individual who can bend all four elements, the "Avatar", is responsible for maintaining balance among the world's four nations, and serves every bit the span between the concrete world and the spirit world. The series is presented in a style that combines anime with The states cartoons, and relies on the imagery of mainly East Asian civilisation, with some Southward Asian, New Earth, and Inuit and Sireniki influences.

The serial is centered around the journey of twelve-year-old Aang, the current Avatar and last survivor of his nation, the Air Nomads, along with his friends Katara, Sokka, and subsequently Toph, as they strive to finish the Burn down Nation's state of war against the other nations of the world. It too follows the story of Zuko—the exiled prince of the Fire Nation, seeking to restore his lost laurels by capturing Aang, accompanied by his wise uncle Iroh—and later, his aggressive sister Azula.

Avatar: The Last Airbender was a ratings success and received critical acclaim for its characters, cultural references, art management, soundtrack, humor, and themes. These include concepts rarely touched on in youth entertainment, such as war, genocide, imperialism, totalitarianism, indoctrination and free choice.[4] The prove is regarded by several critics as 1 of the greatest animated telly series of all time. It won five Annie Awards, a Genesis Honor, a Primetime Emmy Award, a Kids' Option Honor, and a Peabody Award.

The extended Avatar franchise includes an ongoing comics series, a prequel novel series, an animated sequel series, and a live-activity motion picture, also as an upcoming live-activity remake series produced for Netflix.[v] The complete series was released on Blu-ray in June 2018 in honor of the 10th anniversary of its finale,[6] and was made available to stream on Netflix in the United states and Canada in May 2020,[7] [8] on Paramount+ in June 2020,[9] and on Amazon Prime Video in January 2021.[10]

Series overview

Setting

world map

A map of the iv nations

Avatar: The Last Airbender is prepare in a globe where human culture consists of iv nations, named after the iv classical elements: the Water Tribes, the Earth Kingdom, the Burn down Nation, and the Air Nomads. In each nation, certain people, known equally "benders" (waterbenders, earthbenders, firebenders and airbenders), have the power to telekinetically manipulate and control the element corresponding to their nation, using gestures based on Chinese martial arts. The Avatar is the but person with the ability to bend all four elements.

The Avatar is an international arbiter whose duty is to maintain harmony among the four nations, and deed equally a mediator between humans and spirits. When the Avatar dies, their spirit is reincarnated in a new body, who will be born to parents in the next nation in a fix gild known as the Avatar bike: Fire, Air, Water and Earth. By tradition, a new Avatar will travel the world to learn all 4 bending arts, after which they will begin in earnest their role every bit global peacekeeper. The Avatar can enter a condition known every bit "the Avatar State", in which they temporarily gain the skills and cognition of all their past incarnations. Although this is when the Avatar is most powerful, if the Avatar were ever to be killed while in the Avatar State, the reincarnation cycle would end and the Avatar would never once again be reborn.

Synopsis

A century agone, the young Avatar Aang, afraid of his new responsibilities, fled from his home and was forced into the body of water by a storm. He encased himself in suspended animation in an iceberg near the S Pole. Shortly later, Fire Lord Sozin, the ruler of the Burn down Nation, launched a world war to aggrandize his nation's empire. Knowing that the Avatar must be an Air Nomad, he carried out a genocide confronting the Air Nomads with the aid of a comet enhancing firebenders' power. One hundred years later, Katara and Sokka, teenagers of the Southern Water Tribe, accidentally detect Aang and revive him.

In the first season, Aang travels with Katara and Sokka to the Northern Water Tribe and so he can acquire waterbending and exist prepared to defeat the Burn down Nation. Prince Zuko, the banished son of the electric current Fire Lord Ozai, pursues them, accompanied by his uncle Iroh, hoping to capture the Avatar to restore his honor. Aang is also pursued past Zhao, a Burn Nation admiral aspiring to win Ozai's favor. When his navy attacks the Northern Water Tribe, Zhao kills the moon spirit; Yue, the princess of the tribe, sacrifices her life to revive it, and Aang drives off the enemy fleet.

In the second season, Aang learns earthbending from Toph Beifong, a bullheaded twelve-year-old earthbending prodigy. Zuko and Iroh, now fugitives from the Burn Lord, become refugees in the Earth Kingdom, somewhen settling in its capital Ba Sing Se. Both groups are pursued by Azula, Zuko's younger sister and a firebending prodigy. Aang's grouping travels to Ba Sing Se to seek the Globe King's support for an set on on the Fire Nation timed to an upcoming solar eclipse, during which firebenders will be powerless. Azula instigates a coup d'état, bringing the capital under Burn down Nation command, and Zuko sides with his sister. Aang is mortally wounded by Azula, only he is revived by Katara.

In the third season, Aang and his allies invade the Burn Nation upper-case letter during the solar eclipse, but are forced to retreat. Zuko abandons the Fire Nation to join Aang and teach him firebending. Aang, raised past monks to respect all life, wrestles with the possibility that he will have to kill Ozai to terminate the war. When Sozin'southward comet returns, Aang confronts Ozai and uses his Avatar powers to strip Ozai of his firebending ability; meanwhile, Aang's friends liberate Ba Sing Se, destroy the Fire Nation airship fleet, and capture Azula. Zuko is crowned the new Fire Lord and the war comes to an finish.

Episodes

The serial consists of lx-one episodes. The offset episode—an-hour-long premiere—aired on February 21, 2005, on Nickelodeon.[11] The series ended with a 2-hour telly movie broadcast on July 19, 2008.[12] Each season of the serial is known as a "book", in which each episode is referred to equally a "chapter". Each book takes its name from one of the elements Aang must principal: H2o, Earth, and Burn down.[11] The show's start two seasons each consists of xx episodes and the 3rd flavor has twenty-one. The entire series has been released on DVD in regions 1, two and 4.[13]

As of May 2020,[update] the complete serial is available on Netflix in the Usa.[14] It became the most popular show on US Netflix within the start week of its release in that location, despite not being featured on the main page.[7] The evidence broke the tape for longest consecutive appearance on Netflix's daily top 10 list, with 60 straight days on the list, 1 of just 2 shows in the top 10 record holders that wasn't a Netflix original serial every bit of July 2020.[15] Afterward in June 2020, the complete series became available on Paramount+ (at the fourth dimension CBS All Access)[ix] and subsequently on Amazon Prime Video[10] in January 2021.

Development

Conception and production

Bald man with glasses smiling

Dark-haired man with glasses smiling

Michael DiMartino (left) and Bryan Konietzko, the series' co-creators

Avatar: The Terminal Airbender was co-created and produced by Michael Dante DiMartino and Bryan Konietzko at Nickelodeon Animation Studios in Burbank, California. Its animation was mostly done past Southward Korean studios JM Animation, DR Movie, and MOI Animation. According to Konietzko, the series was conceived in early 2001 when he took an old sketch of a balding, middle-aged human being and imagined the human every bit a kid. He drew the character herding bison in the sky and showed the sketch to DiMartino, who was watching a documentary about explorers trapped at the Southward Pole.

Konietzko described their early development of the concept: "There's an air guy forth with these water people trapped in a snowy wasteland ... and maybe some fire people are pressing down on them".[xvi] Two weeks subsequently, the co-creators successfully pitched the idea to Nickelodeon vice-president and executive producer Eric Coleman.[17]

The series was introduced to the public in a teaser reel at Comic-Con 2004,[eighteen] and premiered on February 21, 2005.[19]

In an interview, Konietzko said: "Mike and I were actually interested in other epic 'Legends & Lore' properties, like Harry Potter and Lord of the Rings, merely nosotros knew that we wanted to take a different arroyo to that blazon of genre. Our love for Japanese anime, Hong Kong action and kung fu picture palace, yoga, and Eastern philosophies led united states of america to the initial inspiration for Avatar: The Last Airbender."[xx]

Pilot

A pilot episode for the series was fabricated in 2003. It was animated by Tin House, Inc., written by Michael Dante DiMartino and Bryan Konietzko, and directed by Dave Filoni. Mitchel Musso voiced Aang in this pilot merely was later replaced by Zach Tyler Eisen when the evidence began production. In the episode, Sokka and his sis Kya (renamed to Katara by the fourth dimension the series aired) must travel the world to find masters for Aang, who is the Avatar; however, they must evade a critical foe, Prince Zuko of the Burn down Nation, who wants to capture Aang.

This episode was first publicly released as 1 of the extras in the NTSC season ane DVD box set, which were not bachelor with the previously-released individual volumes. As the PAL box fix lacks extras, the episode was not made available on DVD in PAL regions. The episode was released with audio commentary from the creators, which unlike commentary on other episodes in the flavour is not possible to disable on the DVD ready.[21] On June fourteen, 2010, the unaired pilot was made available with and without commentary for the kickoff time via the iTunes Store.[22]

In 2020, the airplane pilot was shown on Twitch.[23]

Influences

Fictional locations featured in the show are based on the architecture and designs of real locations. For case, the creators modeled the urban center of Ba Sing Se off the Forbidden City in Beijing, China.

The serial is notable for borrowing extensively from East Asian fine art and mythology for its universe. Its creators employed cultural consultants Edwin Zane and calligrapher Siu-Leung Lee to help decide its fine art direction and settings.[24] [25] Its character designs are influenced by Chinese art and history, Hinduism, Taoism and Buddhism, and Yoga.[24] [26] Jeremy Zuckerman and Benjamin Wynn created the series' music and audio design together in the early developmental stages and then went on to divide the tasks, Zuckerman taking on the musical responsibility and Wynn the audio design. They experimented with a wide range of instruments, including the guzheng, pipa, and duduk, to friction match the show's Asia-influenced setting.[27] The art style of the fictitious locations used in the serial are based on real locations in Asia. Sites such as the Forbidden Urban center and the Great Wall of China in Beijing were inspirations for the Globe Kingdom urban center of Ba Sing Se,[28] and Water Tribe locations were based on Inuit and Sireniki cultures.[4] Co-ordinate to author Aaron Ehasz, early Burn down Nation designs were based on Japanese culture. To avoid accidentally making wide statements, they redesigned many settings and peoples to exist more "broadly inspired".[4] For the final design, the creators went with a more Chinese mode for the Burn down Nation's wear and compages.[29] For instance, the Fire Temple was based on the Yellow Crane Tower, as its flame-similar architectural elements were a perfect motif for the Burn down Nation architecture co-ordinate to the creators.[30]

The gestures used by the "bender" characters are derived from Chinese martial arts, for which the creators employed Sifu Kisu of the Harmonious Fist Chinese Able-bodied Clan as a consultant.[31] Each fighting style is unique to the "benders" who use them or characters who are aligned to a certain chemical element. For instance, practitioners of "waterbending" employ movements influenced by T'ai chi and focused on alignment, trunk structure, jiff, and visualization. Hung Gar was the inspiration for practitioners of "earthbending", and was chosen for its firmly rooted stances and powerful strikes every bit a representation of the solidity of earth. Northern Shaolin, which uses strong arm and leg movements, was chosen to stand for "firebending". Ba Gua, which uses dynamic circular movements and quick directional changes, was used for "airbending".[32] The Chu Gar Southern Praying Mantis way tin be seen practiced past the earthbender Toph, who develops a unique fighting fashion as a outcome of her blindness.[33] Asian movie house influenced the presentation of these martial-art angle moves.[16]

Themes

The series addresses many topics rarely touched on in youth amusement, including issues relating to war, genocide, imperialism, colonialism and totalitarianism, gender discrimination and female person empowerment, marginalization and oppression, equally well as the philosophical questions surrounding fate, destiny and free will.[four]

The prove is set during a catamenia in which the world is engulfed in an imperialistic war initiated by the Burn down Nation. While state of war is a constant properties, the show depicts these effects through the eyes of mutual people—the oppressed Earth Kingdom citizens every bit well as indoctrinated Fire Nation schoolchildren—to bear witness how state of war makes victims of everyone.[4] And while the Burn Nation is presented as the instigator of violence, the show too depicts the systemic inequality experienced by residents in the Globe Kingdom city of Ba Sing Se as well as the nefarious activities of the city's underground police. These situations bear witness the corrupting nature of power and the nuances of practiced and evil.[4] The show introduces viewers to genocide early on when protagonist Aang visits his former abode in the Southern Air Temple. He arrives to observe his people take been massacred, and allows him to display a range of emotions, from rage to loss.[34]

The character Zuko and his relationship with his father and Uncle Iroh is the serial' chief redemption arc, and represents the show'due south message that destiny and fate are not binding or set past other people, but tin be changed.[35] In season two, Zuko struggles to conform to the destiny and path determined by his father,[4] but Iroh prods him, asking, "who are you, what do you lot want?"[36]

The show too represents a diverse cast of characters in lodge to tackle the upshot of marginalization. For example, in introducing a bullheaded character like Toph and a paraplegic male child similar Teo, the show depicted characters with vulnerabilities overcoming their physical and societal limitations.[4] This is also true when it comes to the bear witness'due south female person characters. For example, female protagonist Katara faces systemic sexism when she reaches the Northern Water Tribe to learn waterbending. In another instance, her brother Sokka is initially dismissive of the all-female person Kyoshi Warriors, just learns to respect and capeesh their skills.[4] According to Kirk Hamilton of Kotaku, these themes represent the testify's message that it is more of import to be oneself than hew to societal expectations.[36]

Reception

Ratings

Avatar: The Last Airbender was the highest-rated animated boob tube series in its demographic at its premiere; an average of 1.1 1000000 viewers watched each new episode.[37] It had 5.vi million viewers for its highest-rated episode[38] [ need quotation to verify ] and was a highly rated function of the Nicktoons lineup beyond its 6-to-11-yr-old target demographic.[39] A one-hr special, The Cloak-and-dagger of the Burn Nation, consisting of the episodes "The Snake's Laissez passer" and "The Drill", aired on September fifteen, 2006, and attracted 4.ane 1000000 viewers. According to the Nielsen ratings, the special was the fifth highest-rated cablevision telly program that week.[40] In 2007, Avatar: The Last Airbender was syndicated to more than than 105 countries and was one of Nickelodeon's top-rated programs. The series ranked get-go on Nickelodeon in Deutschland, Indonesia, Malaysia, the netherlands, Belgium, and Colombia.[41]

The four-function series finale, "Sozin's Comet", had the series' highest ratings. Its starting time airing averaged v.6 million viewers, 95 percent more than Nickelodeon had in mid-July 2007.[ citation needed ] During the week of July 14, information technology was the most-viewed programme past the nether-xiv demographic.[42] [43] The finale's popularity was reflected in online media; Ascent of the Phoenix King, a Nick.com online game based on "Sozin'due south Comet", had almost 815,000 game plays in three days.[44]

Disquisitional response

Avatar: The Final Airbender received widespread critical acclaim. Equally of July 2020[update], the show has a critics score of 100% on Rotten Tomatoes based on 23 reviews.[45] Max Nicholson of IGN chosen information technology a "must-watch" and described it as "1 of the greatest blithe series of all time".[46] Nick Hartel of DVD Talk called the series a remarkable, "kid friendly show" whose legacy "should suffer for years to come".[35] Erik Amaya of Haemorrhage Cool described the series as "impressive in its sophistication" and "fantastic".[47] Henry Glasheen of SLUG Magazine called the series "adventurous and heady", a "archetype" and occasionally moving.[48] According to Brittany Lovely of Hypable, information technology tells "complex and beautiful" stories.[49] Joe Corey of Within Pulse described the serial as an anime-activity hybrid.[fifty] Chris Mitchell of Popzara chosen information technology i of all-time shows to air on Nickelodeon, praising the series' background music and voice acting.[51] D. F. Smith of IGN recommended it to viewers who enjoy action-take chances cartoons.[52]

Rob Keyes of Screen Bluster chosen the series "1 of the greatest cartoons ever made".[53] Mike Noyes of Within Pulse recommended it to viewers who enjoy "great" adventure.[54] Gord Lacey of TVShowsOnDVD.com called the serial "one of the finest blithe shows ever".[55] According to Todd Douglass, Jr. of DVD Talk, adults will savour the serial as much equally children exercise.[56] Joshua Miller of CHUD.com called it "phenomenal" and "ane of the virtually well blithe programs (children'due south or adult) American Television set has always had"; according to Miller, the series is heavily influenced by anime.[57] Tim Janson of Cinefantastique described it as "one of the about engaging animated shows produced".[58] Dennis Amith of J!ENT called the series "one of the best animated Telly series shown in the US by American creators". Amith praised its sophisticated storylines, edginess, humour, and action.[59] Franco "Cricket" Te of Nerd Society described Avatar: The Final Airbender equally "one of the best cartoon[southward]" he had ever seen, recommending the series for its characters and plot.[60] Scott Thill of Wired called the serial engaging and its setting, influenced by the Eastern world, "fantastic".[61] Kirk Hamilton of Kotaku said the series should be part of the Golden Age of Television, and recommended "the sophisticated kids bear witness" to others.[36]

The bear witness's writing and themes accept been widely lauded by critics. Michael S. Mammano of Den of Geek chosen the plot "smartly-written" and praised the animation.[62] Nicole Clark, writing for Vice News, stated that the bear witness's narrative depth was "its greatest asset", and praised the story'due south "emotional authenticity" and how it "expose[d] very young viewers to darker subject field matter, like genocide and authoritarianism, while giving them a framework for understanding these issues."[4] Jenifer Rosenberg of ComicMix liked the program'due south emphasis on family, friends, customs, and pedagogy.[63] According to Nick Hartel, the series touches on themes of "genocide and self-doubt" without frightening younger children; rogue characters are redeemable, sending an important message that people can change and are non bonded to "destiny".[35] Chris Mitchell called the plot "fantastic".[51] D. F. Smith compared the series' plot to Japanese activeness cartoons, calling its tone and dialogue "very American" and praising the sense of humour leavening an ballsy, dramatic theme suitable for all ages.[52] Rob Keyes also praised the serial' humour and affecting plot: "[It] will capture your hearts".[53]

According to Mike Noyes, the series amalgamates elements of "classic fantasy epics".[54] Todd Douglass, Jr. called the plot engaging, well-thought-out, and meaningful. The series' concept is "well-realized", with a consequent story. Douglass wrote that the characters "[accept] a real sense of progression", and praised the writers for their sense of humor, drama, and emotion.[56] Joshua Miller called the serial surprisingly dark despite its "giddy" theme; the plot is livelier than that of Lost and, similar to the latter prove, emphasizes grapheme development. According to Miller, its writing was "true adult levels of storytelling".[57] Tim Janson described the series as more than fantasy- and superhero-themed, seeing the characters as central and relatable.[58] "Cricket" Te praised the serial' use of Buddhist philosophies and the diverse presentation of its themes of courage and life.[60] Kirk Hamiltion praises the series for expressing towards its audience to exist themselves and for its tranquility progressivism.[36]

Critics also praised Avatar: The Concluding Airbender 's character development, fine art, animation, and choreography; Eric Amaya enjoyed the expressive blitheness that complements the writing. According to Amaya, the elements were influenced by Hayao Miyazaki.[47] Todd Douglass, Jr. chosen the character development interesting,[56] while Nicole Clark wrote that the testify "managed to do what then few shows even today accept: assemble a cast of characters that depicts the earth as it is, with a range of identities and experiences."[4] Jenifer Rosenburg praised the serial' portrayal of females as "strong, responsible, [and] intelligent".[63] Co-ordinate to Joshua Miller, the bender characters' utilise of bending for everyday activities brings "depth and believability" to the Avatar earth. Miller called the serial' designs "rich and immersive", with each nation having its ain, detailed wait. He praised the action scenes every bit "well rendered", comparing the development of the Avatar world to that of The Lord of the Rings, and the fight choreography every bit "wonderful in its near minor details".[57] D. F. Smith enjoyed the series' painstaking backgrounds.[52] "Cricket" Te praised each episode's color palette and the choreography'southward combination of martial arts and magic.[threescore] Nick Hartel criticized the animation, although he found it an improvement over previous Nickelodeon shows.[35] Chris Mitchell called the animation fluid.[51] "Cricket" Te agreed, noting its manga influence.[threescore] According to Brittany Lovely, non-bough characters in battle are "overshadowed" by their bender counterparts.[49] Joe Corey chosen the animation'south action and environments a "dandy achievement",[50] and Rob Keyes praised the series' fight choreography.[53] According to Kirk Hamilton, the activeness sequences in the series are amazing while being child-advisable and exciting.[36]

Legacy

Avatar: The Terminal Airbender has become a cult archetype and had a large impact in the 2010s on how networks viewed animated programs; subsequent children's shows would often blur the lines betwixt youth and adult programming, featuring more adult themes.[64] [65]

Multiple media publications take hailed Avatar as ane of the all-time (animated) television serial of all fourth dimension.[66] [4] [67] [68] [69] [seventy] [71] In 2013, TV Guide included Avatar among the 60 greatest drawing of all-fourth dimension listing.[72] In 2018, Vanity Fair ranked the serial as the 11th-all-time blithe TV bear witness.[73] IndieWire ranked Avatar at number 36 on its 2018 listing of the "50 Best Blithe Series Of All Fourth dimension".[74]

The series experienced a resurgence in popularity following its addition to Netflix on May 15, 2020; information technology reached the number-one position on the platform's tiptop series in the U.S. iv days after release, and was the most-pop picture show or show for the week of May 14–21.[75] The serial maintained a spot inside Netflix's top 10 series for a record-setting lx days, the most of any prove since the company debuted its list of top series in February 2020.[76] The serial would become the most-streamed children's serial on the platform for the twelvemonth.[77] Both fans and co-creators Michael Dante DiMartino and Bryan Konietzko attributed Avatar 's renewed popularity to its relevance to contemporary events, including the COVID-19 pandemic and racial unrest in the U.S., with DiMartino remarking: "The major issues in the stories—genocide, totalitarianism, systemic injustice, abuse—sadly, these have been pervasive issues throughout history and continue to be. The bear witness is a reflection of our world. Merely at present, we happen to be living through a fourth dimension in which all these issues accept been exacerbated."[78]

Awards and nominations

Award nominations for Avatar: The Last Airbender
Year Honour Category Nominee Condition
2005 Pulcinella Awards Best Activity Adventure Boob tube Series Avatar: The Last Airbender Won[79]
Best Tv Series Avatar: The Last Airbender Won[79]
2006 33rd Annie Awards Best Animated Telly Production Avatar: The Terminal Airbender Nominated[fourscore]
Storyboarding in an Animated Idiot box Production Lauren MacMullan for "The Deserter" Won[80]
Writing for an Animated Television Production Aaron Ehasz and John O'Bryan for "The Fortuneteller" Nominated[80]
2007 Nickelodeon Australian Kids' Selection Awards 2007 Fave Toon Avatar: The Last Airbender Nominated[81]
34th Annie Awards Graphic symbol Animation in a Television Production Yu Jae Myung for "The Bullheaded Brigand" Won[82]
Directing in an Blithe Television receiver Production Giancarlo Volpe for "The Drill" Won[82]
Genesis Awards Outstanding Children's Programming "Appa'due south Lost Days" Won[83]
59th Primetime Emmy Awards Outstanding Blithe Program "City of Walls and Secrets" Nominated[84]
Outstanding Individual Achievement in Animation Sang-Jin Kim for "Lake Laogai" Won[85]
2008 2008 Kids' Choice Awards Favorite Cartoon Avatar: The Last Airbender Won[86]
Annecy International Blithe Film Festival Television set series Joaquim Dos Santos for "The Twenty-four hours of Black Dominicus, Part 2: The Eclipse" Nominated[87]
Peabody Awards N/A Avatar: The Final Airbender Won[88]
13th Satellite Awards Best Youth DVD Volume three: Fire, Volume four Nominated[89]
2009 36th Annie Awards Best Animated Television set Production for Children Avatar: The Last Airbender Won[ninety]
Directing in an Animated Television receiver Production Joaquim Dos Santos for "Sozin'southward Comet, Part 3: Into the Inferno" Won[ninety]
Aureate Reel Awards Best Audio Editing: Television Animation "Sozin's Comet, Part 4: Avatar Aang" Nominated[91]
Nickelodeon Australian Kids' Choice Awards 2009 Fave Toon Avatar: The Last Airbender Won[92]
2010 Nickelodeon Australian Kids' Choice Awards 2010 Top Toon Avatar: The Terminal Airbender Nominated[93]

Other media

Books

Several books based on the show have been published. Night Equus caballus Comics published an fine art book titled Avatar: The Last Airbender – The Art of the Animated Series on June 2, 2010, with 184 pages of original art from the serial.[94]

Comics

Several comic-book short stories were published in Nickelodeon Magazine, and Dark Equus caballus published Avatar: The Concluding Airbender – The Lost Adventures—a collection of these and new comics—on June fifteen, 2011.[95]

Dark Horse published a graphic-novel series by Cistron Yang that continues Aang'due south story afterward the Hundred Years' State of war. Avatar: The Concluding Airbender – The Hope, published in three volumes in 2012, explores the fate of the Burn Nation colonies that become The Fable of Korra 's United Commonwealth. This series was translated into Hebrew in 2016–2017.[96] A second set of 3 comic books, Avatar: The Final Airbender – The Search, focuses on Zuko and Azula, and the fate of their female parent Ursa.[97] The 2d set was translated into Hebrew in 2018–2019.[98] The tertiary prepare, Avatar: The Terminal Airbender – The Rift, shifts the focus to Aang, the creation of Republic City, and Toph'southward relationship with her family.[99] The Rift was followed by Avatar: The Last Airbender – Smoke and Shadow nearly a resistance force in the Fire Nation against Firelord Zuko, who at the end of the original series assumed the throne.[100] The fifth graphic novel was Avatar: The Last Airbender – N and South, which follows the events of Fume and Shadow and is near Katara and Sokka returning to the Water Tribe to run across various changes to their homeland.[101] The next graphic novel is titled Imbalance and was released in Oct 2018. The series explores the emerging disharmonize between the benders and not-benders that becomes the center for the disharmonize in the kickoff season of the sequel, The Legend of Korra. Unlike the previous five books information technology was written by Faith Erin Hicks.[102]

Prequel novel serial

A two-part young developed novel series focusing on Avatar Kyoshi written by F. C. Yee was published in July 2019 by Abrams Children'southward Books. The first book of the Kyoshi Novels is Avatar: The Terminal Airbender – The Rise of Kyoshi.[103] The second part in the series, titled The Shadow of Kyoshi, was released on July 21, 2020.[104]

Video games

A video-game trilogy based on the serial has been released. The Avatar: The Concluding Airbender video game was released on October 10, 2006,[105] and Avatar: The Final Airbender – The Burning World was released on October 16, 2007.[106] Avatar: The Final Airbender – Into the Inferno was released on October 13, 2008.[107] Avatar: Legends of the Loonshit, a massively multiplayer online role-playing game (MMORPG) for Microsoft Windows, was released on September 15, 2008, by Nickelodeon. Players can create their own grapheme and interact with other players around the world.[108] Avatar: The Final Airbender was THQ'due south bestselling Nickelodeon game in 2006 and was one of Sony CEA'south Greatest Hits.[109] Aang and Zuko appear as skins for Merlin and Susano, respectively, in Smite.[110] Avatar: The Last Airbender characters and locations are featured in Nickelodeon Kart Racers 2: Grand Prix.[111]

Movie adaptation

The series' offset season was the basis of the 2010 live-action picture The Last Airbender, which was written and directed past Chiliad. Night Shyamalan. It was intended as the first of a trilogy of films, each of which would exist based upon i of the three television seasons. The pic was universally panned for its writing, interim, whitewashed cast, and Shyamalan'south direction; information technology earned a v% approval rating on Rotten Tomatoes besides as five Razzies at the 31st Gilt Raspberry Awards, including Worst Picture,[112] [113] [114] and some critics described it as ane of the worst films ever made.[115] [116] [117] Although the flick originally shared the title of the television series, the title The Last Airbender was used because producers feared it would exist confused with James Cameron'due south movie Avatar.[118] The Terminal Airbender stars Noah Ringer as Aang, Nicola Peltz as Katara, Jackson Rathbone as Sokka, Dev Patel equally Zuko, and Shaun Toub as Iroh.[112]

Sequel series

The Legend of Korra, a sequel series to Avatar: The Last Airbender, premiered on Nickelodeon on April 14, 2012.[119] It was written and produced by Michael Dante DiMartino and Bryan Konietzko, the creators and producers of the original series.[120] The show was initially titled Avatar: Legend of Korra, and so The Last Airbender: Legend of Korra; its events occur seventy years after the end of Avatar: The Final Airbender.[121] The series' protagonist is Korra, a 17-year-old girl from the Southern H2o Tribe who is the incarnation of the Avatar later on Aang'south death.[119]

Alive-activity series remake

Netflix announced in September 2018 that a "reimagined" live-action remake of Avatar was to offset production in 2019. The series' original creators, DiMartino and Konietzko, were to be the executive producers and showrunners.[5] The ii said that they intended to adapt the series "with a culturally appropriate, non-whitewashed bandage".[122] Information technology was announced that Jeremy Zuckerman, who composed music for the original show, would likewise be returning to do the music for the remake.[123] On Baronial 12, 2020, Michael Dante DiMartino and Bryan Konietzko both revealed on their social media that they had departed the show due to artistic differences.[124] [125] [126] [127]

In February 2021, Albert Kim was reported to have been brought on every bit the showrunner.[128] In August later that year, it was reported that Gordon Cormier, Kiawentiio Tarbell, Ian Ousley and Dallas Liu were cast in the roles of Aang, Katara, Sokka and Zuko, respectively.[129] On November three, Daniel Dae Kim, who voiced General Fong in the original series, was reported to accept been cast as Burn down Lord Ozai, followed two weeks later by Paul Sunday-Hyung Lee, Lim Kay Siu and Ken Leung in their respective roles as Iroh, Gyatso and Zhao, along with news that production had begun in Vancouver.[130] [131] More casting news followed in December, with Elizabeth Yu, Maria Zhang, Yvonne Chapman, Casey Military camp-Horinek and Tamlyn Tomita respectively cast as Azula, Suki, Kyoshi, Kanna and Yukari, the latter an original character.[132]

Avatar Studios

On February 24, 2021, ViacomCBS announced Avatar Studios, a new sectionalisation of Nickelodeon centered on developing animated series and films set in the Avatar universe, to be distributed via Nickelodeon's linear and digital services, Paramount+, theatres, and other third-party platforms. The division is helmed by original serial creators DiMartino and Konietzko, who are its co-principal creative officers and report to Nickelodeon Animation Studio president Ramsey Ann Naito.[133] In improver to this announcement, the company besides stated the studio would begin production of an animated film sometime in 2021. Konietzko and DiMartino remarked that "with this new Avatar Studios venture nosotros have an unparalleled opportunity to develop our franchise and its storytelling on a vast scale, in myriad heady ways and mediums",[134] while ViacomCBS Kids & Family president Brian Robbins declared "Avatar: The Terminal Airbender and Korra have grown at to the lowest degree x-fold in popularity since their original hit runs on Nickelodeon, and Ramsey Naito and I are incredibly excited to have Mike and Bryan's genius talent on board to captain a studio devoted to expanding their characters and globe into new content and formats for fans everywhere".[133]

Tabletop roleplaying game

On July 12, 2021, Magpie Games announced that on August 3 of the same year they'd be launching a Kickstarter campaign for Avatar Legends: The Roleplaying Game, an officially licensed tabletop roleplaying game fix in the universe of Avatar: The Last Airbender and The Fable of Korra.[135] The entrada raised USD $ix.53M, becoming the most successful campaign for a tabletop game in Kickstarter's history.[136] It has an expected release date of February 2022, with source books most Commonwealth Urban center and the Spirit World planned to be released in August 2022 and February 2023, respectively.[137]

Notes

  1. ^ JM Blitheness blithe episodes #i–ii, 4, half dozen, 9–ten, all even numbered from 12–24, 26–27, all even numbered from 30–54, 57–58 and 60–61.
  2. ^ DR Movie blithe episodes #3, 5, vii–8, all odd numbered from eleven–25, 28–29 and all odd numbered from 31–39.
  3. ^ Moi Animation blithe all odd numbered episodes from #41–53, 55–56 and 59.

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External links

  • Avatar: The Terminal Airbender at IMDb
  • Avatar: The Last Airbender at the Big Cartoon DataBase

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This sound file was created from a revision of this article dated 8 July 2020 (2020-07-08), and does non reverberate subsequent edits.

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Source: https://en.wikipedia.org/wiki/Avatar:_The_Last_Airbender

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